Friday 2 November 2012

THE BOOK

Group 1
Rubén Martínez Sanchís
Aaron Janushewski
Sergio Navarro García
Emily Monette
Inés Martínez Diez
Juanjo Ruiz
BCA
Tatiana Ferrer Sarmiento
    

Group 2
Juan Antonio Alvarado Cano
  Manuel Sempere                              Tim Brazeau
Ziba Akarcalı
Elif Araç

Javier Torres Soler
Raquel Plaza
Irene Cortizo Jiménez
Kaveh Baradaran













Group 3
Esther Moreno Romero de Ávila
Murat Çokçeken

Hilal Aksu
Alfonso Melero Beviá
Natalie Petricca

Jaclyn Squizzato
Macu de la Vega Cartagena
Alicia Fernández
Luis Ortiz Martínez

Group 4
Giuseppe Massacci
Michael Palmisciano
Neus Gimenez Agullo
Dudley Jones
Chris Wilson
Fabrizio Vizzi
   Colleen McKeracher
                     Jaclyn Ng
José Manuel Rodríguez Cañizares
Group 5
Brea Mann-Lewis
Águeda Contreras Garcia
Silvia Capone
Claudia Carrisi
Álvaro Madero
 Kasey Camire
Cristina Carpintero
Eduardo González
Alba Mª Castillo


Sunday 28 October 2012

THE PUBLICATION OF MANIFESTO G5


Brea





Kasey Camire




Eduardo González Vázquez



Silvia Capone


Open publication - Free publishing - More architecture

Álvaro Madero Carrasco

Claudia Carrisi

Open publication - Free publishing - More book

Cristina Carpintero López


Open publication - Free publishing - More architecture


Alba M. Castillo M.



Agueda Contreras Garcia

THE PUBLICATION OF MANIFESTO G4

Jaclyn Ng



José Manuel Rodríguez Cañizares



Chris Wilson



Dudley Jones



Fabrizio Vizzi

http://issuu.com/fabriziovizzi/docs/manifest

Colleen McKeracher



Michael Palmisciano
Neus Giménez Agulló


Giuseppe Massacci

THE PUBLICATION OF MANIFESTO G3


Natalie Petricca


Jaclyn Squizzato



Luis Ortiz Martinez




Murat Çokçeken


hilal aksu

Alicia Fernández Serrano


Alfonso Melero Beviá


Open publication - Free publishing - More esther
Esther Moreno Romero de Ávila




Macu de la Vega Cartagena

THE PUBLICATION OF MANIFESTO G2


Raquel Plaza González:




Manuel Sempere Díaz





Irene Cortizo Jiménez




Juan Antonio Alvarado Cano
Open publication - Free publishing - More house


Javier Torres Soler

THE PUBLICATION OF MANIFESTO G1

Aaron Janushewski

Emily Monette

Jose Diaz Mollà

Tatiana Ferrer Sarmiento

Open publication - Free publishing - More alicante

Juan José Ruiz Hernández

Inés Martínez Diez

Open publication - Free publishing - More architecture

Rubén Martínez Sanchís

Saturday 20 October 2012

MANIFESTO


Each student is asked to present a Manifesto of his/her work during the first part of the course from the 10th of September to the 19th of October.
Although following a continuous evaluation throughout this period, this last submission will weigh 40% of the coursework. Other factors that have influenced the mark are participation in class with constructive arguments and in googlegroups, meeting deadlines and adding cultural facts with your drawings and debate.
The Manifesto should be presented in the format of a book, clear and well edited, and bound by hand. The model to follow is the series of books by Actar (Barcelona) VERB: fonts, layout (way of communication + the relationship between text, photos, schemes and drawings). Attached is a link to the publisher’s website http://www.actar.es/
We insist: your book should belong to the series VERB, so, adjust yourself to the existing graphic design and size.

The title of the individual book should be Manifesto of Re-Reading Naked House/House at Lège/Villa Bollen/Maison Bordeaux/House at Baiao. Depending on the selected Story by each student.
The content should show the process of working during the period:
0. The original story of the house and its drawings.
1. The initial presentation to the Spanish team (of course this part is only for the Canadian students).
2. The reading of the stories and the criterion for selecting one particular one.
3. The photomontages focusing on concepts of the chosen Story - 20th  century concept and its transformation into the 21st century.
4. The drawing of the action the demonstrated the Cultural element that turned the 20th century house into a 21st century house. Each student showing clearly his/her contribution to the proposal. Therefore, individual drawing and collective drawing should be included.
5. The technical drawing - A SECTION OF A DETAIL - of the action in the space of the original house. In this point you can include those details by your partners in the case you consider them important. Also, feel free to edit them to make them better.
6. The most interesting conversations between the members of the team, how they built the arguments and came to a consensus of how to move forward with the proposals. Finally, a short evaluation/reflection on the teamwork/team effort. 
7. Bibliography.
8. Manifesto: you should finish summarizing your vision for Re-reading architecture.

This exercise provides two focal points: It is a reflection and a manner of editing the drawings
- To go back to the original story and reflect on what you proposal offers/adds to the original house. Try to imagine what the original architect would think of your drawings. For instance, the drawing of Action and Technical drawing (this last one should be a drawing where you make the effort to use it as an opportunity for design, create a new solution.)
- This entitles to go back to the drawings and redefine them if needed after having received the feed-back from the CRITS and your partners.
- Think as an editor working for Actar. This means to follow the layout of the publishing company and be critical in the way of deciding what and how your drawings/writings are selected into your book. The style of writing should be academic, not to write in first person or in a way of a diary.

Deadlines:
Monday 29th of October the book should posted in the blog with the program of ISSUU.
Wednesday 31st of October the Manifesto in paperbook should be handed in Ottawa, on the 2nd November in Alicante.
The aim is to organize a competition between the books and send the winners to the architects authors of the houses!

ha+jsm